{"id":394,"date":"2018-02-27T16:08:09","date_gmt":"2018-02-27T12:38:09","guid":{"rendered":"http:\/\/www.palacepianos.ir\/fa\/?p=394"},"modified":"2018-02-27T16:11:13","modified_gmt":"2018-02-27T12:41:13","slug":"%d9%be%d9%84%db%8c%d9%84-%d9%87%d8%a7%d8%b1%d9%be%d8%b3%db%8c%da%a9%d9%88%d8%b1%d8%af-%db%b1%db%b3%db%b9%db%b0%db%b6%db%b4","status":"publish","type":"post","link":"http:\/\/www.palacepianos.ir\/fa\/2018\/02\/27\/%d9%be%d9%84%db%8c%d9%84-%d9%87%d8%a7%d8%b1%d9%be%d8%b3%db%8c%da%a9%d9%88%d8%b1%d8%af-%db%b1%db%b3%db%b9%db%b0%db%b6%db%b4\/","title":{"rendered":"\u067e\u0650\u0644\u06cc\u0644 \u0647\u0627\u0631\u067e\u0633\u06cc\u06a9\u0648\u0631\u062f \u0634\u0645\u0627\u0631\u0647 \u0633\u0631\u06cc\u0627\u0644 \u06f1\u06f3\u06f9\u06f0\u06f6\u06f4"},"content":{"rendered":"

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Pleyel harpsichord in a refined case of Mahogany and rosewood in a stylish case. Cross banded and quartered inlay standing on 6 reeded turned legs. A two manual instrument having a 6 pedal system.<\/p>\n

This Pleyel harpsichord can be seen as the prototype of the \u2018modern harpsichord\u2019. It saw the light of day as part of the rediscovery and revival of early music, which began in 1830. The historical concerts in Paris, organized by the Belgian composer, musicologist and music critic Fran\u00e7ois-Joseph F\u00e9tis (1784-1871) were a fine example of this renewed interest, which gathered momentum in the second half of the nineteenth century. In the pursuit of originality, it was soon considered important that early music should be played on the appropriate instruments, hence the reconditioning and copying of many early instruments. It is in that spirit that the firm Pleyel constructed its first harpsichord, which it presented at the 1889 World Fair.
\nThis Pleyel harpsichord is not an exact copy of instruments from the renaissance or baroque periods. According to Pleyel, its construction was based on \u201cold theoretical documents\u201d and also on the \u201cstudy of a large number of seventeenth and eighteenth-century instruments preserved intact in collections, particularly those of master builders like Ruckers, Couchet of Antwerp, Blanchet and Pascal Taskin\u201d. Though its construction was inspired by historic instruments, the sober Mahogany and rosewood veneer of the case is more reminiscent of an early pianoforte. Some described the instrument as a \u201cplectrum piano\u201d rather than as a harpsichord.<\/p>\n